Van Halen: Fair Warning

April 29, 1981 – Van Halen: Fair Warning is released.
# allmusic 4/5
Fair Warning is the fourth studio album by American hard rock band Van Halen. Released on this date in April, 1981, it sold more than two million copies, but was still the band’s slowest-selling album of the David Lee Roth era. Despite the album’s commercially disappointing sales, Fair Warning was met with mostly positive reviews from critics.
Fair Warning was one of the first albums to reflect the rift in the Van Halen power structure; David Lee Roth wished to emphasize the pop influence that emerged on the previous two albums (which brought the band increased attention and a wider appeal), while Eddie Van Halen preferred to explore darker, longer and generally more complex song-structures that emphasized his innovative guitar work. Eddie clearly prevailed, as the album in fact featured longer, darker, more aggressive guitar-oriented material. Fair Warning contained no radio hits (although “So This Is Love?” charted briefly) and included one instrumental, the synth-heavy “Sunday Afternoon in the Park”.
by Stephen Thomas Erlewine, allmusic
Of all the early Van Halen records, Fair Warning often gets overlooked — partially because it’s a dark, strange beast, partially because it lacks any song as purely fun as the hits from the first three records. Because of that, there were no hits from Fair Warning that turned into radio anthems; only “Unchained” and, to a lesser extent, the grinding opener, “Mean Street,” rank among the group’s best-known songs, and they’re not as monumental as “And the Cradle Will Rock,” from the preceding album, Women and Children First. There’s a reason for that: this album ain’t a whole lotta fun. Fair Warning is the first Van Halen album that doesn’t feel like a party. This may be a reflection of the band’s relentless work schedule, it may be a reflection of the increasing tension between Eddie Van Halen and David Lee Roth — the cause isn’t important, because whatever the reason, Fair Warning winds up as a dark, dirty, nasty piece of work. Gloomy it may be, but dull it is not and Fair Warning contains some of the fiercest, hardest music that Van Halen ever made. There’s little question that Eddie Van Halen won whatever internal skirmishes they had, since his guitar dominates this record, even with the lack of a single dedicated instrumental showcase (the first time he lacked one on a VH album). Eddie sounds restless here, pushing and pulling the group toward different rhythms and textures, from the disco beat that pulsates on “Push Comes to Shove” to the swinging rhythms on “So This Is Love?” and, especially, the murky synths that comprise the instrumental “Sunday Afternoon in the Park” and the grimy, gunky closing rocker, “One Foot Out the Door.” Either inspired or spurred on by the gloomy rock Eddie cranked out, David Lee Roth casts his net far wider than his usual litany of girls and good times. He spits and swears, swaggering without his usual joie de vivre, with even his sex songs feeling weary and nasty. Whatever spawned it, that nastiness is the defining characteristic of Fair Warning, which certainly doesn’t make it bunches of fun, but it showcases the coiled power of Van Halen better than any other album, which makes it worth visiting on occasion.
All songs by Michael Anthony, Alex Van Halen, Eddie Van Halen and David Lee Roth.
“Mean Street” – 5:00
“Dirty Movies” – 4:08
“Sinner’s Swing!” – 3:09
“Hear About It Later” – 4:35
“Unchained” – 3:29
“Push Comes to Shove” – 3:49
“So This Is Love?” – 3:06
“Sunday Afternoon in the Park” (Instrumental) – 1:59
“One Foot Out the Door” – 1:58

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